Music

The other day I went to see Wagner’s Lohengrin—performed by the Nikikai Opera Company with the Tokyo Metropolitan Symphony Orchestra. The performance itself was magnificent. But the opera? The libretto struck me as Wagnerian in the worst sense: childish, contrived, and absurdly solemn. And musically this is still early Wagner—endless repetitions of the same booming triads: do-mi-sol, so-shi-re, over and…