Music

  • The Hollowing Out of American Pop Music

    　　　　　　　　　　　　　　　　　　　　　　　　　　　　　Akio KAWATO Lately, pop music in many advanced countries seems increasingly mechanical, standardized, and overly technological. It feels very different from the American pop music of the late 1960s—artists such as Simon & Garfunkel, Joni Mitchell, and Carole King—or from Japan’s City Pop scene of the 1980s, represented by artists such as Eiichi Ohtaki, Minako Yoshida, and Taeko Ohnuki. The…

  • Comedic Variants for European Serious Operas

    The other day I went to see Wagner’s Lohengrin—performed by the Nikikai Opera Company with the Tokyo Metropolitan Symphony Orchestra. The performance itself was magnificent. But the opera? The libretto struck me as Wagnerian in the worst sense: childish, contrived, and absurdly solemn. And musically this is still early Wagner—endless repetitions of the same booming triads: do-mi-sol, so-shi-re, over and…